Egyptian Art
A lifelong devotee of ancient Egyptian and Oriental culture, the French author, artist, and scholar Achille-Constant-ThĂ©odore-Ămile Prisse dâAvennes (1807â1879) is famed as one of the most influential Egyptologists, long before the discipline was even properly established.
Prisse first embarked on his explorations in 1836, documenting sites throughout the Nile Valley, often under his Egyptian pseudonym, Edris Effendi. Prisseâs first publication of notes, drawings, and squeezes (a kind of frottage) came in the form of Les Monuments Ă©gyptiens, a modest collection of 51 plates, but one met with considerable acclaim in popular and intellectual circles. Encouraged by his success, Prisse returned to Egypt in the late 1850s to expand his work into the collection LâHistoire de lâart Ă©gyptienâtogether with his first volume, these two tomes make up a truly complete survey of Egyptian art.
His albums cover architecture, drawing, sculpture, painting, and industrial or minor arts, with sections, plans, architectural details, and surface decoration all documented with utmost sensitivity and accuracy. Even when compared to the products of the great state-sponsored expeditions to Egypt of this period, Prisseâs compendium remains the largest, single-handed illustrated record of Egyptian art in existence.
Discover the complete collection of Prisseâs unsurpassed illustrations in a visual and archaeological feast of symmetry and complexity. Once exclusively available as an XL-sized title, this Bibliotheca Universalis edition captures all the mystery and opulence of Prisseâs groundbreaking collection in an affordable, compact format.
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Egyptian Art
A lifelong devotee of ancient Egyptian and Oriental culture, the French author, artist, and scholar Achille-Constant-ThĂ©odore-Ămile Prisse dâAvennes (1807â1879) is famed as one of the most influential Egyptologists, long before the discipline was even properly established.
Prisse first embarked on his explorations in 1836, documenting sites throughout the Nile Valley, often under his Egyptian pseudonym, Edris Effendi. Prisseâs first publication of notes, drawings, and squeezes (a kind of frottage) came in the form of Les Monuments Ă©gyptiens, a modest collection of 51 plates, but one met with considerable acclaim in popular and intellectual circles. Encouraged by his success, Prisse returned to Egypt in the late 1850s to expand his work into the collection LâHistoire de lâart Ă©gyptienâtogether with his first volume, these two tomes make up a truly complete survey of Egyptian art.
His albums cover architecture, drawing, sculpture, painting, and industrial or minor arts, with sections, plans, architectural details, and surface decoration all documented with utmost sensitivity and accuracy. Even when compared to the products of the great state-sponsored expeditions to Egypt of this period, Prisseâs compendium remains the largest, single-handed illustrated record of Egyptian art in existence.
Discover the complete collection of Prisseâs unsurpassed illustrations in a visual and archaeological feast of symmetry and complexity. Once exclusively available as an XL-sized title, this Bibliotheca Universalis edition captures all the mystery and opulence of Prisseâs groundbreaking collection in an affordable, compact format.
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A lifelong devotee of ancient Egyptian and Oriental culture, the French author, artist, and scholar Achille-Constant-ThĂ©odore-Ămile Prisse dâAvennes (1807â1879) is famed as one of the most influential Egyptologists, long before the discipline was even properly established.
Prisse first embarked on his explorations in 1836, documenting sites throughout the Nile Valley, often under his Egyptian pseudonym, Edris Effendi. Prisseâs first publication of notes, drawings, and squeezes (a kind of frottage) came in the form of Les Monuments Ă©gyptiens, a modest collection of 51 plates, but one met with considerable acclaim in popular and intellectual circles. Encouraged by his success, Prisse returned to Egypt in the late 1850s to expand his work into the collection LâHistoire de lâart Ă©gyptienâtogether with his first volume, these two tomes make up a truly complete survey of Egyptian art.
His albums cover architecture, drawing, sculpture, painting, and industrial or minor arts, with sections, plans, architectural details, and surface decoration all documented with utmost sensitivity and accuracy. Even when compared to the products of the great state-sponsored expeditions to Egypt of this period, Prisseâs compendium remains the largest, single-handed illustrated record of Egyptian art in existence.
Discover the complete collection of Prisseâs unsurpassed illustrations in a visual and archaeological feast of symmetry and complexity. Once exclusively available as an XL-sized title, this Bibliotheca Universalis edition captures all the mystery and opulence of Prisseâs groundbreaking collection in an affordable, compact format.
